{"id":9909,"date":"2022-12-15T15:40:59","date_gmt":"2022-12-15T14:40:59","guid":{"rendered":"https:\/\/rolfverbeek.com\/?p=9909"},"modified":"2023-11-23T21:20:24","modified_gmt":"2023-11-23T20:20:24","slug":"there-are-no-rules-except-to-be-authentic-to-oneself","status":"publish","type":"post","link":"https:\/\/rolfverbeek.com\/en\/reviews\/there-are-no-rules-except-to-be-authentic-to-oneself\/","title":{"rendered":"'There are no rules, except to be authentic to oneself'"},"content":{"rendered":"<p>Has anyone else directed Mahler's Fourth Symphony while singing the finale from the stage? Surely not ... but the present release, preserving a concert live-streamed mid-pandemic from Rotterdam's empty De Doelen hall, makes a different, more collegial kind of splash than fans of <em>Gramophone<\/em>'s Artist of the Year might be expecting. The ensemble Camerata RCO, which previously recorded Erwin Stein's reduction of the Mahler under oboist turned maestro Lucas Mac\u00edas Navarro in 2017, is helmed not by Hannigan herself but by a frequent collaborator and past member of her Equilibrium mentoring scheme, the young Dutch conductor Rolf Verbeek....<\/p>","protected":false},"excerpt":{"rendered":"<p>Has anyone else directed Mahler\u2019s Fourth Symphony while singing the finale from the podium? Surely not \u2026 but the present release, preserving a concert live-streamed mid-pandemic from Rotterdam\u2019s empty De Doelen hall, makes a different, more collegial kind of splash than fans of Gramophone\u2019s Artist of the Year might be expecting. The ensemble Camerata RCO, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":11261,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[53],"tags":[],"project_group":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u2018There are no rules, except to be authentic to oneself\u2019 - Rolf Verbeek<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rolfverbeek.com\/en\/news\/prjct-amsterdam-zoekt-een-producent\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018There are no rules, except to be authentic to oneself\u2019 - Rolf Verbeek\" \/>\n<meta property=\"og:description\" content=\"Has anyone else directed Mahler\u2019s Fourth Symphony while singing the finale from the podium? Surely not \u2026 but the present release, preserving a concert live-streamed mid-pandemic from Rotterdam\u2019s empty De Doelen hall, makes a different, more collegial kind of splash than fans of Gramophone\u2019s Artist of the Year might be expecting. 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